Showing posts with label Land of Deseret. Show all posts
Showing posts with label Land of Deseret. Show all posts

Land of Deseret: Pique-nique Dreaming


crows at dusk
On the way home today I passed a murder of crows perched in trees, on fences, buildings, phone wires, and glutting parking lots and big box store side lawns. The corvids were pecking at the snow, foraging a winter picnic.

The schools were closed last Friday due to snow, the first ever snow day in memory, so my morning greasy spoon coffee shop was filled to capacity with tweens in zip up footy pajamas and grade school age children crowded into booths with their parents.

It's five degrees here in Deseret.  It is hurry up and shovel the walks, snowblow the driveway, and get back inside, wrap up in a down comforter, sit by the fire, bone cold. Even the small dog doesn't like going outside.

snow-packed
This is what it looks like outside. Even though it seems unimaginable, spring really is just around the corner.

Which brings me to the point of this post: I watched this charming Pique-nique video from Olive Us, of picnicing in Utah's wilderness, and it has me yearning for the warmth of lush and lazy days, when the desert is in full leaf. Instead of California Dreaming, I'm pique-nique dreaming.

Both photos below are stills I took watching Pique-nique.


mountain meadow


picnic basket

Land of Deseret: In My Own Back Yard

 
I was surprised to discover that one of my neighbors has been raising their own turkeys. Both Toms were very friendly. I was a little revolted by their wattles, which they waggled a great deal. They also shook their tail feathers and posed for my pictures. If they didn't have those terrible wattles, I think I would consider a turkey as a pet. An outside pet. The hen did not trust me one bit, and protested from a safe distance.

I asked if these two Toms were given pardons. Sadly, no. They made it through Thanksgiving alive, but one of the duo will be the main course for Christmas. Man eat turkey world.

My neighbors have big plans to become farmers. They have plowed up their back yard and plan to raise corn. They have a fat goat that has yellow billy goat eyes, the kind from childhood horror fairytale stories. The goat likes to body slam.  I am not a fan of that damn goat.

I read on NPR yesterday that Farm School is the new black.

I wish them luck.

Land of Deseret: Presidential Election 2012



 baby girl at polling station
 
My daughter voted for the first time yesterday. 
 
Our candidate lost, quite dramatically, here in Deseret, but won, quite dramatically, the popular vote, electoral vote, and the election.
 
Voting took all of fifteen minutes. After we voted, we went for coffee.
 
I settled in for a night of watching the election.  She went out with friends.
 
I was very nervous how the election would go. For the first couple hours I could only bear to keep track online, via live bloggers and twitter feed. Nate Silver's tweet, "The writing. On the wall"- a personal favorite. I surfed between real politics, guardian news, the economist, fox, huffingpost, and the daily beast.  I texted with friends from both parties throughout the night. When the states started lining up for Obama, texts from my friends hoping for a Romney win, went silent. I felt sad for them.
 
When real election results from states started to come in, I turned on the television and channel surfed PBS, Fox, NBC, CBS, ABC.  Karl Rove's absolute denial, and subsequent implosion was a moment. So was Jon Stewart's assessment of getting absolutely nothing for the money, as in [390] million dollars resulting in 0-6 loss. Colbert asking Andrew Sullivan if Rove would now have to go into the witness protection program was much needed comic relief.  
 
During the long process, I fully embraced stress eating: I ate an entire bag of Parmesan pepper popcorn, two handfuls of pistachios, three mini Halloween candy bars. I drank a liter of pomegranate Italian soda, two cups of coffee, and probably a gallon of water. I am so hitting the gym tonight!
 
Romney's concession speech was gracious. And generous. And heartbreaking. He voiced his concern for the country. His final words brought closure. He said he and Ann would pray for the President.
 
Obama's speech was somber. And sobering. And inspiring. He admitted the sometime smallness of the campaign, and his role in it. He vowed to do and be better. The President/President Elect circled back to his promise of 2008 of one people, one nation.
 
It sounded to me that Obama hinted at a possible future role for Romney. That would be remarkable.
 

Artist of the Day: Utah State Map & North Carolina State Map - Mollie Mattin

utah state map mollie mattin
 
artist bio: I am a self-taught artist living in central Ohio with my teenage son and my rescue dog, Lucy. After many years in the corporate world, I went back to school to study graphic design and am loving school. I love to create art of all kinds and work in all types of media. My attention span is quite short, so switching subjects often is normal for me.
---
I've been watching the DNC every night this week, just like I watched the RNC held in Florida last week.
 
My husband has snored through every single speech. I woke him up numerous times with my laughter, clapping, loud whoops, histrionic sniffing, and heel thrumming.
 
Watching politics is interactive for me, like skype, (although I really know it is one way): I talk to the speakers, agree, get after them, agree to disagree, gesticulate, and take their pictures, as in stand before the screen and click away. I have quite a collection of television photos.
 
What does any of this have to do with Utah? I woke my husband during one of tonight's speeches and he asked me what I was watching. He knows exactly what I'm watching. I knew he was sleep talking, but come on.  I told him the DNC. He asked if it was in Utah, or what?
 
Out of the two of us, he likes to watch the news, so he absolutely has to know the convention is held in North Carolina. I knew I was talking to a man emerging straight out of REM sleep, but I answered him anyway. I told him if it was in Utah, I would be there.   
 
It's been a great two weeks. Now I don't want to hear any more of it. Wouldn't it be sublime if the debates and elections were held next week, and we could just get on with it?
 

The Day in Cartoons: The Mormon Moment - Pat Bagley

the mormon moment pat bagley, salt lake tribune
 
And strangely, so do I.  Can I get a fist-bump, people!
 
I'm not planning on buying a Team Romney shirt anytime soon, but I do feel a sense of pride and connection in the same way when a local boy or girl succeeds.  
 
He's humanizing the religion. He's making my peeps look normal.
 
The Republicans did a fine job at their convention. Better than fine.
 
Next week it's Team Obama's turn.
 
Interesting reading:

The Book of Mormon Girl - Joanna Brooks Weller Book Works Reading

   
 
balcony view from rare books collection

This is the third time I have written about Joanna Brooks or The Book of Mormon Girl this week. Although I've been on the outside of this faith for all of my adult life, this is the first time I feel like my story is finally being told. This is the first time that I feel a pinprick of hope that change is really coming. That there is finally room for all of the stories, not just the streamlined official story. That there is room for everyone at the table: orthodox, unorthodox, those inside the faith, and those firmly outside of it.

Like I said here, she just may be the dark horse of the Mormon Moment.

Perhaps, she's just cool.

Joanna Brooks may be unorthodox Mormon, but she still considers herself a Mormon. I think there were many at the reading last night that are struggling to stay in the faith. Many told their stories. Some were hilarious. Others raw. All needed to be heard. I am glad I went.

If you are curious, interested, maybe even alarmed, by the tsunami of information and disinformation about Mormons and Mormonism in the news of late, read this book. You just may find yourself within the pages.

For further reading, check out Modern Mormon Men and Feminist Mormon Housewives.

 

Artist of the Day: Cool Mormon Women - Scott Heffernan

cool mormon women scott heffernan poprocksdesign

The illustration includes Carol Lynn Pearson, Chieko Okazaki, Gladys Knight, and Joanna Brooks. The illustration of Joanna Brooks is the lower right corner.
---
Joanna Brooks will be in Salt Lake City tomorrow!
 
I read The Book of Mormon Girl last week and reviewed it here, in something of a 40% personal narrative, 55% emotional excursion, and mini-meltdown, and 5% book review.
 
I am so excited that Joanna Brooks will be reading from her memoir at Weller Book Works , at the bookstore's new Trolley Square location this Thursday, August 23 at 7 P.M!
 
Usually literary readings here in the City of Salt are intimate gatherings, but I'm guessing there will be a crowd. It's a small space with room for fifty, so get there early and please save a seat for me! I will be the one wearing huge dark sunglasses; as my grandmother used to say, Danna has a talent for weeping. I can't help it!
 
If you didn't catch her interview with Jon Stewart on The Daily Show, check it out here and here

The Book of Mormon Girl: A Memoir of an American Faith - Joanna Brooks: Quickie Review






FYI: Joanna Brooks will be reading from her memoir at Weller Book Works this Thursday, August 23 at 7 P.M! It's a small space with room for fifty, so get there early and save a seat for me! If you didn't catch her interview with Jon Stewart on The Daily Show, check it out here and here

Copious Thoughts otherwise known as Quick Thoughts:
There is a lot of talk that Mitt Romney running for President of the United States, is the Mormon Moment, (and I suppose if he is elected, the talk will be that it is now a post-religious America).

With all the dissembling and mean-spiritedness inherent in political elections, Joanna Brook's speaking her truth and speaking truth to power in her fearless memoir, just may turn out to be the dark horse Mormon Moment.  

From what we know about the major historical movements of the United States, it is always the voices on the margins that change the course of history. The majority of our leaders rarely introduce any type of radical change to the status quo, but look for a popular movement and run like hell to get in front of it and proclaim themselves its leader.

Think about this: a handful of Quakers, on the fringe of society and considered fanatics and not allowed to hold public office, opposed slavery, which to simplify, led to the formation of the Abolitionist Movement, which led to the Civil War, and eventually the Emancipation Proclamation.

Women's Suffrage, The Civil Rights Movement, The Women's Movement, The LGBT Movement, the Occupy Movement, both tea parties, all began on the margins with a handful of committed individuals who dared to imagine a better, more inclusive democracy.

Try to silence or dismiss an idea, an entire gender or population, and listen to the quiet swell of voices rising to a deafening cry for justice.


Instead of silencing voices that tell a story outside of accepted narratives, these unorthodox, questioning, dissenting voices may lead to the realization that the Mormon religion is not so weird, that it isn't scary or a cult. Mormons may have their own book and prophet, but they also have the Bible and Jesus. Rather than being threatened by the voices on the margin of the Church, a greater transparency may lead to the realization that this church has more in common with world religions than differences.

Joanna Brooks is an unorthodox Mormon woman who loves her faith, yet could not keep silent, nor find a place for herself within the Church. She is a woman who refuses to be silenced. And for this, I am grateful. There are many stories about this dynamic, complex, industrious, flawed, and very young American faith, that need to be told. 

Book of Mormon Girl is a personal accounting of Brook's experience. It is her Mormon story, but it is not the definitive story. Hers is only one story. There are a million plus more.  

There is room for all the stories, for all the voices. All of them. America needs them. The world needs them.  To my surprise, I need them. 

I found myself in these pages. There were brief phrases and passages where I found that I literally couldn't breathe. There were a few times I had to put the book down and walk away. I cried and raged. A lot. I will never, ever, lend my copy of the book out because of the nature of the commentary I wrote in the margins.  

I find it remarkable that Joanna Brooks is so deeply committed to her faith, and although she could not find a way to remain active and true to herself, she is an unorthodox advocate for a religion in which she is considered a dissident. Some call her an apostate, which implies a dangerous enemy, but in reality, is a person who renounces or abandons a belief, religious or political. Brooks has neither renounced, nor abandoned her faith, her religion.

Brooks unflinching account of her experiences resonated, and in the process of a few hours of reading, unlocked the door I had closed, nearly three decades ago.

As a very young child, I loved Primary. I loved the songs, the activities. I remember the thought of how lucky I was to be born a Mormon and in Utah! I really believed the Earth was seven-thousand years old.  I read the Book of Mormon, and although I didn't receive the burning testimony everyone else was claiming to have experienced, I had an intense desire to create my own versions of the Golden Plates. I wrapped an old brick with tinfoil, wrote on it, and then buried it under the tree in the pasture behind the house. When I dreamed about the Church, Michelangelo's Moses was always a menacing presence, horned hair and angry eyes enough to keep my restless self in check. As a young girl, I loved girl's camp: hiking, canoeing, swimming in the lake and the horror or leeches; hobo dinners around the campfire, crafts, huge assembly-like breakfasts, sack lunches, and starchy dinners. I loved the skits and programs. The program when the Lamanites turned white because they were so faithful was always popular, even if it was weird, and of course in retrospect, condescending and racist. I hated all the praying, probably because it went on too long, and the person giving the prayer usually cried or their voice quavered. I came to dread the last day of camp because there was an unspoken expectation to bear one's testimony. Each year as we sat in our groups around the fire, when it was my turn, I remained silent until the girl next to me finally got the hint and spoke up. I wasn't being defiant. I refused to bear testimony because I had doubts. I couldn't pretend something I didn't feel. I knew I had forced an invisible wedge between myself and other girls. Of course I got in trouble. I was always getting in trouble. I asked a lot of questions. I needed answers. 

I was livid that boys got the priesthood. Livid! And that boys that I knew who were totally unworthy were blessing the sacrament. I refused to take the sacrament in protest. I got in so much trouble! Later, I refused to be baptized for the dead because I thought the living made their choices and I hated it when anyone made decisions for me, and, who was I to go against the living or dead's wishes?  I was not allowed to refuse the trip to the temple, but once there, I refused to do anything but sit on a bench and wait for the girls to finish. I don't remember the drive home. It goes without saying I got in trouble. I do remember I never had to go for baptisms again. I didn't refuse Seminary. I enjoyed it my Sophomore and Junior year, especially the scripture study and memorization contests. We got a new teacher Senior year that moralized on proper conduct for girls and boys, mostly girls, and made examples of modesty infractions. I started wearing tank tops and mini skirts. I remember he told me that, football was my god. I had no idea what he was talking about. I still don't. I know he was earnest and well-meaning. I also know the only life he saw for me was very limited.

I remember the thought that as soon as it was legal to leave, I was out. Legal meant 18 and moved out of my childhood home. I had tried very, very hard to stay, but there was no place for me. I knew it was my right to be a full partner, not a helpmate. I asked questions and kept asking and wouldn't accept vague answers. Once I was legal, I made a great show of slamming the door, but eventually grew up and gently closed the door for good, and just forgot about it, and wondered every now and then what all that distant knocking was. What I am slowly learning is that locked doors shift and unhinge with time and demand to be opened.  Demand validation and resolution.

Reading Book of Mormon Girl also prompted the thought, lose one woman and you have lost countless generations.

I respect the religion of my youth. I do not regret that I walked away. I credit the Church with a lot my core strengths.  I see the joy of community, of belonging, the comfort of belief and faith in lives of my neighbors, friends and family. And I see the struggle, the quiet desperation of silent questioning. I have made a community and belief system of my own. It is a work in progress. By walking away, I have had to find my own path. And my own light.

Lose one woman and you have lost countless generations. I haven't been to church, unless it was to support a family member's baptism or blessing or primary program. I have not spoken against, nor in favor of the religion of my youth, to my children. All three children chose to be baptized, but none are currently active. Two of my children now have young children of their own. They did not have them blessed. If recent history serves, these grandchildren may chose to be baptized. Time will tell if they will remain active participants.

It could have been different. I chose to leave. I chose to listen to my own voice, telling me I needed a safer place, where my voice could be heard, where it was possible for me to lead, rather than follow. The faith of my youth has lost far too many women. I know great inroads have been made, are being made, to rectify this. Even so, by walking away, I found I have walked back to myself.

First Sentence:
"On Monday nights, my father and mother gathered their four children around the kitchen table in our tract house on the edge of the orange groves and taught us how the universe worked."

Favorite Parts:
p. 11 "In the world I grew up in, it was not okay to tell unorthodox stories. We did not hear them in church. We did not read them in scripture. But sooner or later they break through to the surface in every Mormon life, in every human life, in every life of faith. I am not afraid of them. Because this is the story life has given me to tell."

p. 26 "When I was eight years old, I could not yet see the shadows in my world of sparkling difference, the hard edges of the lines we drew to distinguish ourselves from others."

p. 28 "These are the unspoken legacies we inherit when we belong to a people: not only luminous visions of eternal expanses of loving-kindness, but actual human histories of exclusions and rank prejudice. We inherit not only the glorious histories of our ancestors, but their satisfactions with easy contradictions; their wisdom as well as their ignorance, arrogance, and presumption, as our own. we inherit all the ways in which our ancestors and parents and teachers were wrong, as well as the ways they were right: their sparkling differences, and their human failings. There is no unmixing of the two."

P. 36 "I learned that if the United States of America adopted into its Constitution the statement that "equality of rights under the law shall not be denied or abridged by the United States or by any State on account of sex," these words would in fact not correct long-standing gender inequities but rather endanger our families, demean the special and sacred roles of women, and harm the nation."

p. 43 "We grew up always ready to abandon this world, to take out small backpacks of bottled water, freeze-dried food, first-aid kits, and candles, and simply walk away, walk as far as Missouri if we had to, if that was where the New Jerusalem would be built."

p. 47 "The year we all turned twelve, the boys in my Sunday School class received the priesthood; the spiritual authority to lead, bless, and baptized, passed from Mormon father to Mormon son by the laying on of hands... I got Marie Osmond's Guide to Beauty, Health & Style."

p. 64 "You and me, Marie, wrestling the dark energies of childhood depressions and nascent eating disorders. You and me, with visions of self-harm, dark impulses we could only describe as religious."

p. 74 "Threatening? Us? Mormons?"

p. 84 "We waved our pom-poms for Utah, for pioneer grandmothers, for wheat sealed in tins against the apocalypse...I waved my pom-poms because I was not afraid of polygamy, sacred underwear, or the idea of eternal godhood..."

p. 98 "...I tried to get used to the feeling of being in the backseat, never driving, always driven, headed for destinations not of my choosing and vast beyond my control."

p. 111 "You, your body, your self---you are not an object lesson."

--- "How badly I want her to know that after many years of confusion, she will come home to a house she chose herself, with a man she chose herself, a man whose body does not menace, a man who does not dream of owning her."

p. 115 "What is to stop a people who have sized up the infinite forest of human souls tangled and uprooted by the avalanche of time, and said, cheerfully, yes, we will sort it all out and have it stacked as neatly as a cordwood by sundown."

p. 122 "So it happened that I was there at Brigham Young University just in time to witness a remarkable upwelling in Mormon feminism, a feminism that started very simply in basement classrooms with the idea that all were alike unto God."

p. 130 "I graduated from BYU, without a husband, returned my diploma in protest, and left Utah for a PhD program in Los Angeles."

p. 132 "Though I spoke very few words about it to the people with whom I shared my everyday life, during this decade, Mormons like me found ourselves in the grip of a terrible turn in Mormon history, in the grip of a fear provoked in part by the strength of our Mormon feminist vision: a fear of the full, glorious, strange, and difficult humanity of our Mormon past; a fear of women who openly claimed the power of a Heavenly Mother; a fear of mothers and fathers who refused to sacrifice their children to protect the public image of the Church; a fear of our own gay and lesbian relatives who refused the confines of the closet."

p. 136 "To my family, my choosing to marry David would mean that I was choosing not to be with them in heaven. But for me, choosing David meant placing my trust in a God bigger than doctrine."

p. 144 "No one should be left to believe that she is the only Mormon girl who walked alone into the dark. No one should be left to feel like she is the only one broken and seeking."

p. 150 "Forced to choose between my nostalgia for the faith of my childhood and my dignity as an adult, I... drove away."

p. 156 "What will I leave my own daughters, my own granddaughters? What stories will accompany them across the miles they will travel in their lifetimes? For their sakes, finally, I decide to stop feeling like a bad daughter in my own tradition. For their sakes, I decide I must make and tell my own version of the Mormon story."

p. 160 "I am not an orthodox Mormon woman like my mother. I am an unorthodox Mormon woman with a fierce and hungry faith... I need to remember all the risks being forgotten in a Mormonism where telling unorthodox versions of our story is sometimes viewed as the work of enemies and apostates.

I am not an enemy, and I will not be disappeared from the faith of my ancestors. I am a descendant of the Mormon pioneers."

p. 168 "I stare at a wooden Jesus on the cross suspended above the altar. It is an unfamiliar sight: this Jesus, arms outstretched and bound, on a cross, suspended in the chapel. Mormons do not have crucifixes in our chapels."

p. 171 "The Church as said that it respects the rights of its members with dissenting opinions. Still, as I write my speech, terror sits on my chest. I wrestle with the specter of excommunication that haunts every dissenting Mormon who writes or speak in public."

p. 177 "I hold my tongue, but I also hold my seat. This is a church inhabited by people willing to give up their own children for being gay. This is also a church of Millie Watts and the church of my grandmothers. This is a church of tenderness and arrogance, of sparkling differences and human feelings. There is no unmixing of the two."

p. 179 "My name is Joanna," I say. "And I am a straight Mormon feminist."

p. 181 "Sometimes the world does split apart, but writing can help but it back together."

p. 183 "As I wrote, I brought myself back from my own exile, the silent excommunication I subjected myself to when I was convinced Mormonism was not safe for women like me."

p. 186 "I am a believing Mormon woman, and I'm worried that the church seems to be losing so many women."

p. 188 "There is no way forward, I believe, but to tell our whole story. Not the made-for-television version, but the entire very imperfect story, the one that reveals the human flaws of the ones who came before us."

p. 189 "An orthodox story is nothing to be ashamed of. It is something that deserves to be shared."

Author Bio:
Joanna Brooks is a national voice on faith in American life and an award-winning scholar of religion and American culture. The author of The Book of Mormon Girl: Stories from an American Faith (Free Press), she is a senior correspondent for the on-line magazine ReligionDispatches.org and has been named one of “50 Politicos to Watch” by Politico.com and one of “13 Religious Women to Watch” by the Center for American Progress. She is the recipient of the 2012 Eve Award from the Mormon Women’s Forum. She lives in San Diego with her husband and two children.

Best Reviews:
Publisher's Weekly - Book of Mormon Girl
The New Yorker - I, Nephi
By Common Consent - The Book of Mormon Girl



The Day in Cartoons: The Business of Religion - Pat Bagley

the business of religion pat bagley, salt lake tribune
corporation: an organized body, especially a business, that has been granted a state charter recognizing it as a separate legal entity having its own rights, privileges, and liabilities distinct from those of the individuals within the entity.  The corporation is a desirable organization for a business entity for a variety of reasons, including the increased capability such an entity has to raise capital.

Bagley's cartoon is funny, and on the money.  Of course, it tells only part of the truth. The Mormon Church is a corporation in the same manner that many churches, past and present, are. The faithful pay their tithes and offerings, trusting that the money goes to help the needy, build temples and churches, and also knowing full well that some of the money goes to pay salaries, fund public relations. And then, there is that nebulous gray area that nobody really thinks or talks about where the money goes: stocks, politics, controversial propositions, and who knows what else.

Some religions got their start very early and their leaders were as powerful, if not more so, than kings.  This is no longer the case. 

Mormons got a relatively late start, and the closest any prophet got to king status was Brigham Young, just read Mark Twain's Roughing It. The current Mormon leadership may not be as powerful as presidents or world leaders, but they have influence, and killer business acumen, and loads of money.

How about we just agree that religions can have spiritual and secular functions, and sometimes, they resemble and act like corporations, and just go on with our lives? 

Interesting Reading:
How the Mormons Make Money - Bloomberg Businessweek
Criticism follows Businessweek cover on Mormon Church finances - Deseret News
Organized religion is big business - The Washington Post
Mega churches, mean big business - CNN World
Churches as business, Jesus CEO - The Economist
Christian Capitalism Megachurches, Megabusiness - Forbes, Inc

Land of Deseret: 4th of July Parade 2012 - Small town Utah Photo Essay

What I most enjoy about parades in cities across the country, is that each reflects its population. The small town featured here is hardly primarily agrarian, but it once was, and so tractors and horses are still appropriate parade features. Mormons are the majority religion here, so two temple-themed floats are also appropriate. From the two bagpipe brigades, I assume there is a large Scottish population.

Enjoy the photo essay of my favorite images from the Fourth of July parade.
Highway Patrol
Honor Guard
Fire Department
The Sound of Freedom Float
Easy Rider Patriot
Bagpipe Brigade #1
Hometown Heroes Float
Troops
Mascot
Model U.S. Air Force Jet
A Legacy of Temples Float (you know you are in Utah when there is a temple float)
Dance Team
Heritage Museum Float
Candy Man
Get Big Or Die (zoom in on the red t-shirt)
Temple & Geneaology Float (a parade float combination you will only ever see in Utah)
Eagle Float
Bagpipe Brigade #2
Seagull Float (the seagull is Utah's state bird)
Stilt Man
Unicycle Rider
Color Guard
Origami Dragon Float
WWII Ace Pilot on John Deere Tractor
Spotted Horse (this is my favorite photo)
Fancy Horse & Buggy
Colt (fyi: the colt is not pulling the buggy)
Ranch Horse

Artist of the Day: Fire Bad Tree Pretty - Devin Wais

fire bad tree pretty  oooohstichy  devin wais
artist bio: I have a short attention span. So, after spending a few years making & selling jewelry, I wanted to try something new. And so OooohStitchy was born. My main focus is ridiculous pop culture, but I also enjoy collaborating with other Etsy artists as well as trying my hand at original designs. Some have been hits, some have been misses, but the main point is - I'm having fun.
---
I saw this piece by Chesapeake, Virginia-based artist and master embroiderer, Devin Wais, and thought it spoke to the moment.

Fire is a terrifying force. As for trees, well, there are a lot fewer of them, and a lot of homes have gone up in flames these last two weeks. It's devastating.

There are six major fires burning across the state at this moment. The majority of the wildfires are far down in Southern Utah, but it smells like smoke and the sky over Salt Lake City is hazy.

The West is on fire. Colorado is nothing short of an inferno.

Utah Arts Festival: Chris Roberts Antieau







Chris Roberts-Antieau began her career in art by walking out of an art class.

On her very first day in art-school, the instructor had given the class an assignment to draw an ink bottle. The other students drew literal, realistic sketches. Chris drew a blocky, childlike bottle that took up the whole page. The professor singled it out for mockery in front of the whole class, asking her, “Who told you you could draw?” Chris walked out and never looked back.
Marriage and the birth of her son, Noah, put her art on hold for a few years. But when Noah was old enough to hold a crayon, the two of them began to draw together. Chris found herself fascinated by the raw childlike vision she saw in her son’s drawings, and it wasn’t long before she herself was ‘back at the drawing board,’ creating fanciful cloth sculptures for regional art shows. Her first sale: a trapeze artist, which took her two days to make, and sold for $18.

Barely a year later, a visiting artist ran across Chris’s work and suggested that she take a crack at creating designs for the then-hopping wearable art market. Chris took her up on it, creating 2 jackets and 3 vests, which the two took to Baltimore, for the American Craft Enterprises event—Chris’s first show ever outside her home state of Michigan. The response was overwhelming. Buyers crowded a dozen deep around the makeshift booth, elbowing each other for place. When the smoke cleared, Chris had hundreds of orders from stores across the country—including Neiman Marcus. She returned home, hired a staff of fifteen, and set out to meet her commitments—doing the complicated and time-consuming detailing on each garment herself.

“I’m An Artist”At the end of that year, Chris had a thriving business, but she was miserable. She wanted to be an artist, not a manufacturer. Wearable art took up an enormous amount of time in management and production. And it wasn’t like other fine art: people didn’t just care about the design–they wanted it to match their new shoes, or favorite sweater, too.

So despite her remarkable success, Chris left the wearable art world and spent the next year exploring other options from her Ann Arbor studio. Again, it was a chance comment from a friend that set her on a new track. Chris had been struggling to find a medium, torn between her roots in sculptural objects, and the freedom she’d found in her flat designs for wearable art. “It doesn’t have to be on a jacket to be flat,” her friend suggested. “Why don’t you make something to hang on a wall?”

“Fabric Paintings”The next year, Chris returned to Baltimore’s American Craft Enterprises show with the pieces that have now become her hallmark: “fabric paintings” composed from freehand-cut cloth shapes, hung behind glass in hand-painted frames. Response to these unique pieces was strongly positive as well. Today, a dozen years later, the best folk art galleries across the country offer her work, which has also won major awards at the prestigious Ann Arbor and St. Louis Art Fairs, and the attention of HGTV and Mary Engelbreit’s Home Companion Magazine.

True to her roots, Chris’s gaze is still distinctly child-inspired. Her compositions have the delightfully off-kilter feeling of children’s drawings, and the subjects sometimes seem to be a child’s choosing as well: “Playing With Dolls”, “Bad Dog”, or “Bug Jar”. But like her better-known inspirations, Picasso, Miro, and Van Gogh, Chris takes the honesty, freedom, and new perspective of children’s art to a new level. She doesn’t just mimic a child’s style—she applies a child’s eye to adult realities, reminding viewers not to take themselves too seriously, and giving them a chance to remember again the wonder and joy that children find in the everyday.“People always want to know what my work is about,” Chris says. “But I’m an artist, not a writer. If I could put it into words, then I wouldn’t have to make the pictures.” Everyone who sees her art brings something different to it, she believes, and she’s happy with that. But while the meaning of a given piece may not be clear-cut, Chris does have some sense of what she’s trying to get across. “My vision of the world is joy-based,” she says. “Even when awful things happen to me, I’ve found wonderful things along the way. That’s what my art is about: the joy and wonder and humor that’s all around us, every day.”

You won't find Roberts-Antieau, but you will find her gorgeous work in Booth 46

Utah Arts Festival: Hayley Nolte & Scot Ray





Hayley Nolte and Scot Ray are mixed-media artists who make applique-like art using recycled materials form a cache of over one-thousand tins bequeathed to them. Their process begins with   recycled tins, cans, roofing metals, & distressed copper that are then hand cut and layered and nailed to a wooden base.

I purchased a fabulous bird-themed key holder from them. I really wish they made jewelry, especially earrings. Or bracelets using rivets instead of nails.

Here's hoping they'll start a jewelry line. And that they get a website!

You can find them in Booth 28.