Artist of the Day: Dots Sculptural Salt & Pepper Shaker - Victoria Rose Martin



dots sculptural salt and pepper shaker victoriarosemartin

artist bio: Victoria Rose Martin is an award winning professional artist residing in Palm Beach County, Florida. She earned a Summa Cum Laude BFA in Graphic Design and Illustration and two separate MFA's in Ceramics and Printmaking. Her work is collected both nationally and internationally and has appeared in Art Doll Quarterly (fall 2011 featured artist), Ceramics Ireland (Issue 38), 500 Handmade Dolls, Ceramics Monthly, and Contemporary Ceramics. Her work is and has been shown nationally and internationally including Laumier Sculpture Park, St. Louis, MO, SDC Gallery, London, England, Florida Craftsman Gallery in St. Petersburg, FL, and the Piedmont Craftsmen, Winston-Salem, NC. Victoria is also the Department Chair for Fine Art and Graphic Design and Professor 1 at Palm Beach State College, Lake Worth, Florida. She teaches studio art and web/graphic design courses. You may view more of her work at VictoriaRoseMartin.com
---
Now that summer break is coming to an end in the next couple weeks, I am cleaning house and dejunking, getting rid of anything that just doesn't fit with who we are now.

Once everything is cleared out, my plan is to find a few great signature pieces, combing art with functional art.

These salt and pepper shakers from West Palm Beach-based artist Victoria Rose Martin, are a perfect fit.

Watch & Listen Playlist: August 10-12


The Black Cab Sessions are back seat recording sessions with 100 + emerging and established musicians. 

The site is perfect listening for a family & friends party these scorching last days of The Olympics weekend.

My Morning Jacket: Chapter Forty-three
Lissie: Summer Sundae
Grizzly Bear: Chapter Seventy-nine
Wall: Chapter One hundred-nine
School of Seven Bells: USA 9 SXSW
Michael Kiwanuka: Chapter Ninety-eight
Slow Club: Chapter Sixty-nine
Holly Miranda: USA 10 SXSW
Cloud Control: Chapter Ninety-one
Spoon: Chapter Thirty-one
Black Belles: Chapter One hundred-seven
Winter Sleep: USA 13 SXSW
Ane Brun: Chapter Seventy-four
The Maccabees: Chapter Eighty-three
Richard Thompson: Chapter Seventy-three
St. Vincent: Chapter Eleven
Beach House: Chapter Fifty-two
Savoir Adore: SGP V
Lianne La Havas: Chapter Ninety-nine
Charles Siem: Chapter Thirty-six
Martha Wainwright: Chapter Fifty-one
The National: Chapter Eighteen
Shearwater:  USA 12  SXSW

Artist of the Day: Tom Waits' Melodramatic Nocturnal Scene - Travis Braun

tom waits' melodramatic nocturnal scene travis braun

artist bio: My name is Travis Braun, I am a freelance artist and illustrator. The vast majority of my work is inspired by music and pop culture. With my music posters I tried to visually capture the unique sound of each musician/band. Most of the words are song lyrics and there is much symbolism in the imagery which was inspired by lyrics and album artwork. The more you are familiar with the musician/band the more you will understand and appreciate the piece.
---
I love the narrative style of this artist. Braun has captured the intense and (almost) lurid gaze of Waits in the illustration.

I know many of you are in love with Tom Waits. I'm not in love, yet,  but I'm getting there.

I know I've seen or heard of this artist somewhere, and it's not because he's from Utah. I swear he had a piece in Rolling Stone, but I have looked and looked.  I remember something of a space monkey painting, or a skeleton painted on top of an astronaut. Again, I have searched every corner of the web. If you have seen these images, please tell me where.

If this is the first you've seen of Travis Braun's artwork, or even if you are familiar, check out his site.  If you like Radiohead or The Black Keys, Jimi Hendrix or The Beatles, you'll love his paintings.

Poetry & Music Mash Up: The Radio Animals - Matthea Harvey + There, There - Radiohead


There, There - Radiohead

+

The Radio Animals - Matthea Harvey
The radio animals travel in lavender clouds.
They are always chattering, they are always cold.
Look directly at the buzzing blur and you'll
see twitter, hear flicker—that's how much they
ignore the roadblocks. They're rabid with doubt.
When a strong sunbeam hits the cloud, the
heat in their bones lends them a temporary
gravity and they sink to the ground. Their little
thudding footsteps sound like "Testing, testing,
1 2 3" from a far-away galaxy. Like pitter and its
petite echo, patter. On land, they scatter into
gutters and alleyways, pressing their noses into
open Coke cans, transmitting their secrets to
the silver circle at the bottom of the can. Of
course we've wired their confessionals and
hired a translator. We know that when they call
us Walkie Talkies they mean it scornfully, that
they disdain our in and outboxes, our tests of
true or false.

Song of the Day - 100 - Brandi Carlile


Brandi Carlile
100

Earlier this morning at the local coffee shop I saw my high school typing teacher.

Typing?

At my high school we didn't have computers yet, and so every student, especially the girls, were required to learn how to type, since the general expectation at the time was that the majority of students would need a skill to help them through college, or to bide their time until they got married, started a family, and left the workforce altogether.

This was the 80's. This was small town Utah. This was before the State Legislature or the District recognized computers really were here to stay and approved a technology budget. This was WAY before the Women's Movement was acknowledged other than by dismissive comments or fear mongering threats. DO NOT even say Equal Rights Amendment or your head might explode and somebody will accuse you of being a lesbian or a man-hater.

To give you an idea of the typical threats that were passed on to us, the Farah Fawcett-maned, these jeans are not tight enough girls, by ill-informed, well-meaning adults, here's just one: Title IX meant that we were now going to have to share locker rooms and bathrooms with the boys.

Never happened

The reality of Title IX is that on it's 40th anniversary, women athletes outnumber male at the 2012 London Olympics, and today it is law to fund girls sports, and, it is every girls right to participate in sports.

So, what does this have to do with typing or my typing teacher. Or Brandi Carlile's song 100?

Mrs. Whitman is 98 years old. I was shocked by how small and cheerful she is. And how gracious.  I remember her as stern, serious, humorless. Of course, I am remembering her through my 18 year old prism.

I graduated years and years ago. I hated typing. I thought Mrs. Whitman took herself and typing skills far too seriously. I used to imitate her when she left the class. I would stand at the front of the class, holding her pointing stick and inform my peers in precisely articulated and dolorous tones to sit up straight, keep you fingers lightly on the keys, and eyes on the paper before you. They would roar. I would remind them that typing was a serious skill. Laughing was not allowed. One time during my routine, the laughter stopped, and there she was at the door, scowling. Sit down, please, is all that she said.

She unnerved me.

I knew I was never going to be a secretary. I told her so. I also told her nobody, and I mean nobody, would be using typewriters in the future. Could I please take the hall pass? She told me to sit down, please and resume my timed drill. I did, but I banged the keys mercilessly until she reminded me, fingers lightly on the keys.

 I was a miserable little shitte, as my mother used to say.

The following year in college I was typing all of my papers on a computer. By then I had forgotten my petty standoffs with my typing teacher and was dealing with a professors who refused to accept work printed on blasted dot matrix printers!

At the coffee shop this morning, Mrs. Whitman took my hand and said it was so good to see me, and thanked me for coming over to her table to greet her. Truth is, had it not been for my father wanting to stop and say hello, I wouldn't have. Why? Because I know I must have made her working life harder, diminished her efforts in the way only an ungrateful teenager can. Maybe because I was still a little afraid of her.

I really hope Mrs. Whitman has forgotten how I bratty I behaved. If she remembered, she didn't show it.

I'm glad I stopped and said hello to her. I told her it was good to see her doing so well. I nearly raced to the car because I felt tears stinging my nose.

Perhaps, the years chips away everything but the sweetness.

I hope Mrs. Whitman makes it to 100.

Artist of the Day: Incremental Progress Is Progress - M. C. Culottes


incremental progress is progress  m.c. culottes licoricewhipshop

artist bio: I am an artist, musician, writer, crafter, and heart-surgeon. Except that I'm not a heart-surgeon. Or a crafter. But the other three, sure. (BTW: I'm now TUMBLING here: http://licoricewhipshop.tumblr.com/ ) I love the art, architecture, and style of the 1960's and 1970's -- both the decorative styles and the minimalist styles, both the flamboyant dresses of Emilio Pucci and the brutalist architecture of Ernő Goldfinger. I also like Kit Kat bars because of the combination of crunchy cookie wafers and smooth chocolate. Humor is also important to me. Important and ellusive. I'm currently reading Spalding's Encyclopedia of Jewish Humor in hopes of figuring this whole thing out but basically I'm not getting it. I have a doctor's appointment for next week to see if there's a Viagra-type solution for this problem.
---

I saw this ink drawing by Oakland, California artist M. C. Culotte, and decided to adopt it as my new mantra.

Baby steps. Baby steps.

Writing at least a page a day for a year is a novel.

Saving five dollars instead of a latte a day for a year is a trip to Turkey or Greece next summer).

Lifting tiny weights every day and swimming three times a week for a year is new health.



Poem Therapy 8:15 P.M. August 8: To Last - D. A. Powell

To Last
D. A. Powell
I have had to learn the simplest things
last. Which made for difficulties...
—Charles Olson

We know from accounts of the judgment of Paris how Love took first: 
the apple burnished by—it turns out—her own husband, working the bellows,
forging to Discord's specifications, her need to break the spaghetti strands
of marriage, her undiluted vitriol, that oversaw his flux and foundry, 
guided the sparking hammer to its urgent deed.

Spoils of war.

Power, undeterred and wily as it always is, the figural eye and its agency,
took gladly the second chair, from which advantage machinations could be seen.
Advised, conferred, deployed the second wave of ships, provided mercenary aid
to every side and fanned the air, and made her counsel with all sides, supporting
every one and none, out-waiting tides.

If we believe the Greeks, the spokes of Fortune's wheel in constant turn would allow
the last to be the first—beatitudes bestowed upon the losing side, 
a draught of time in which the wily ones, by their equine portage made
the mind the victor over Love's inconstancy and strife,
and, over brute acts, gave thought dominion in a golden age. But that's just myth.

Wisdom, you are the last to whom I turn. Not for your spear, 
fashioned in that same fire as all bright jealous objects of desire. But for your shield.
Protect the least of us. Or lift me from this battlefield,
and take me home.
---

Herein is The Iliad and The Odyssey, (and the plot line of pretty much every action/adventure film or book); also, the three ages of humankind. In our youth it is Love that commands our every moment. In mid-life, Power, and in old age, Wisdom.

Each of us encounter our own Trojan Horse, and if we are honest, we must admit that we have waited outside the gate of our enemy's city, tucked inside our wooden selves, waiting to lay siege. 

Love fades, Power overreaches and destroys. It is Wisdom that brings us home.

If each of our lives follow the template of Love, Power, Wisdom, if we are the stories we tell, and also, if we are all the people we ever were from our youth to our present, then, what is it that lasts?